"Hills Like White Elephants" is a short story by Ernest Hemingway. It was first published in the 1927 collection Men Without Women.
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The story takes place at a train station in the Ebro River valley of Spain. The year is 1927. This particular day is oppressively hot and dry, and the scenery in the valley is barren and ugly for the most part. The two main characters are a man (referred to only as "the American") and his female companion, whom he calls Jig.
While waiting for the train to Madrid, the American and Jig drink beer and a liquor called Anís del Toro, which Jig compares to liquorice. Their conversation is mundane at first, but quickly drifts to the subject of an operation which the American is attempting to convince Jig to undergo. Though it is never made explicit in the text, it is made clear (through phrases of dialogue such as "It's just to let the air in" and "But I don't want anybody but you," among numerous context clues) that Jig is pregnant and that the procedure in question is an abortion.
After posing arguments to which the American is largely unresponsive, Jig next assents to the operation, while saying: "I don't care about me." However, he then responds, "You've got to realize that I don't want you to do it if you don't want to." He continues, "I'm perfectly willing to go through with it if it means anything to you." She attempts to drop the subject, but the American persists as if still unsure of Jig's intentions and mental state. She insists, "Would you please please ... please stop talking?" He is silent a while, and repeats, "But I don't want you to," and adds, "I don't care anything about it." She interjects, "I’ll scream."
The barmaid comes out through the beaded curtains with two glasses of beer and puts them down on the felt pads. She notes, "The train comes in five minutes." Jig was distracted, but then smiles brightly at the woman and thanks her.
The American leaves the table and carries their bags to the opposing platform, but still no sight of the train in the distance. He walks back through the station, and everyone else is still waiting reasonably for the train. Pausing at the bar, he drinks another Anis, alone, before rejoining Jig. He then asks her, "Do you feel better?" She again smiles at him, "I feel fine. There's nothing wrong with me. I feel fine." The story ends.
Jig's reference to white elephants could be in regard to the baby. The American could see the baby as a white elephant and not want to raise it because of the cost, while Jig could see the child as an extraordinary addition to her mundane life of drinking and mindless traveling.[1]
"Hills Like White Elephants" shows Hemingway's use of iceberg theory or theory of omission: a message is presented through a story's subtext; for instance, in the story the word 'abortion' is never mentioned although the male character seems to be attempting to convince his girlfriend to have an abortion.[2]
The symbolism of the hills and the big white elephant can be thought of as the image of the swollen breasts and abdomen of a pregnant woman, and to the prenatal dream of the mother of the future Buddha in which a white elephant (in this case, a symbol of prestigious leadership) presents her with a lotus flower, a symbol of fertility.[3]
Apart from the hills, other parts of the setting provide symbolism which expresses the tension and conflict surrounding the couple. The train tracks form a dividing line between the barren expanse of land stretching toward the hills on one side and the green, fertile farmland on the other, symbolizing the choice faced by each of the main characters and their differing interpretations of the dilemma of pregnancy. Jig focuses on the landscape during the conversation, rarely making eye contact with the American.[4]
"They look like white elephants," she said.
"I've never seen one," the man drank his beer.
"No, you wouldn't have."
"I might have," the man said. "Just because you say I wouldn't have doesn't prove anything."
The girl looked at the bead curtain. "They've painted something on it," she said. "What does it say?"
"Anis del Toro. It's a drink."
"Could we try it?"
The reader must interpret their dialogue and body language to infer their backgrounds and their attitudes with respect to the situation at hand, and their attitudes toward one another. From the outset of the story, the contentious nature of the couple's conversation indicates resentment and unease. Some critics have written that the dialogue is a distillation of the contrasts between stereotypical male and female relationship roles: in the excerpt above, for instance, Jig draws the comparison with white elephants, but the hyper-rational male immediately denies it, dissolving the bit of poetry into objective realism with "I've never seen one." She also asks his permission to order a drink. Throughout the story, Jig is distant; the American is rational.[5] While the American attempts to frame the fetus as the source of the couple's discontent with life and one another, the tone and pattern of dialogue indicate that there may be deeper problems with the relationship than the purely circumstantial. This ambiguity leaves a good deal of room for interpretation; while most critics have espoused relatively straightforward interpretations of the dialogue (with Jig as the dynamic character, traveling reluctantly from rejection to acceptance of the idea of an abortion), a few have argued for alternate scenarios based upon the same dialogue.[6]